Category: Theory

PART 3 – HOW TO ACTUALLY USE THIS STUFF In part 1 we learnt where rhythm lies on the frequency spectrum, and what that usually means in terms of usage. We saw in Part 2 how we can see the pulse as our ‘tonal center’, in terms of rhythm. Also how subdivisions and rhythmic detail…

In Part 1 we looked at where rhythm lies on the frequency spectrum, and what function it serves in comparison with the main branches of harmony. In this part, we’ll lay some fundamental groundwork in terms of rhythmic perception. PERCEPTION OF PULSE AND POLYRHYTHMS What we perceive to be the pulse, is our rhythmic ‘tonal…

INTRODUCTION This whole journey started for me with hearing one statement: “Rhythm is just harmony slowed down” From there, with some basic knowledge of physics, you can start seeing a) how this is the case, and b) how you can start applying all the centuries of study on harmonic theory and composition, to rhythmic composition.…

Most musicians are aware of the idea of ‘swing’ as off-beats lying somewhere between the triplet grid and the quaver grid. Somewhere ‘in the cracks’ between and Close to but not exactly The way this is usually learnt is by ear, listening & playing along to a lot of music and just absorbing the ‘feel’…